Ask me anything

I first reach out to my existing contacts if they're characters I've worked with before (for example, I reached out to SilkyMilk for voicing DVa in Breed & Bond, because she previously voiced DVa in the Rabbit.Hole videos), or if they are characters who said contacts have mentioned having interest in voicing (example, when Silky and I were working on the first Rabbit.Hole, she casually mentioned that she'd like to voice Tracer at some point - so when Breed & Bond came along with Tracer as a character, I asked Silky if she'd be interested in voicing Tracer).

If I don't have any contacts for characters, then these days I tend to reach out to Ivan E Recshun, who is a long-time friend of mine and who just so happens to manage the NSFW VO Discord, and ask if he knows anyone who might be a good fit for a given role. I won't hand out his contact information publicly, since it's not my place to. But I would definitely look into the NSFW VO Discord he manages. I don't know what its name is, but I'm sure you can find it fairly easily. They should be able to help get you set up.

Back when I did animation streams, them being educational was a major goal I had. I've had a handful of people reach out to me to say they learned a thing or two from the streams, which is always a good thing.

Animation is hands-down the bulk of the time consumption. Writing is largely an insignificant portion of the time use. Pharmmetra was very much an exception to the rule, and that was in large part because I was having general listlessness when it came to writing a project. I had something like 14 different ideas I was exploring at the time, and writers' block was especially bad at the time.

And I would never accept anyone working for me for free. If you do the work, you get paid for it.

I don't have anything in mind as of right now, but never say never. Right now I'm focusing on slogging through my backlog of existing ideas with existing characters. But when it comes to the short videos, I try to keep a more open mind for them. So who knows.

I do, but it'll take a while. It's planned for season 2, either episode 9 or 10 (I'd have to look through my notes, I can't exactly remember the structure for season 2), with Liara and Tali.

1.) It's not in the original plan, but there is both exhibitionism and public sex. It might be able to make its way in through one or both of those. No promises.

2.) I've the rough plans for a Cyberpunk project but it's much larger in scope than a single video. Super high-level story is a split-timeline narrative detailing Futa Vee (I spell out the syllable because just "V" in text feels odd to me) assembling a harem of huge-tiddy bimbofied ladies from the game (Misty, Judy, Panam, Claire, Hanako, Meredith). Absolutely nothing is scheduled for it, it may as well be out in the stratosphere. 

Overbreed isn't dropping today, Breed & Bond is. No exact time figured, just sometime before I go to bed. So, within the next 12 hours since this answer is submitted.

Though if one really wanted to, they could imagine Breed & Bond is a spin-off of Overbreed. It wasn't intentionally written to be part of the same continuity, but I have conceived a rather roundabout set of mental gymnastics that makes it work. There are some continuity conflicts between Breed & Bond and Overbreed, but they're not too hard to overlook - just need enough time between Overbreed's story and Breed & Bond's story for all the kids conceived in the former's story to be born.

If you think about it too hard, it starts to bring up questions about parental ethics, since Overbreed ends with DVa, Pharah, and Symmetra all pregnant. But then, Breed & Bond's story explicitly establishes that Pharah and Symmetra knock up prostitutes and have impregnated several of the Overwatch cast before the events of the video. It's not likely these ladies are an integral part of all their childrens' lives (but I mean if you want to headcanon that I won't stop you), so parental ethics are kinda already out the window and are best not to think about.

I never worked with them and some things should stay buried.

Time.

The video is 15 minutes long as it is, and took over 3 months to produce.

I had to cut a lot of ideas to get it down to that. The full idea probably would've ran over 20 minutes and taken another few months to produce.

There is a full-screen button on the player.

Do note that iPhones struggle to play the videos properly. If I recall correctly, iPhones cannot full-screen the videos. Apple likes to be different and make things unnecessarily difficult, and my webdev has been unable to get the videos to fully cooperate with iPhones without breaking compatibility for other platforms.

There is a fantastic documentary video that tackles this exact topic, for which I was interviewed. You can find the video by clicking here, and my specific response can be found at time 43:52.